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World Cinema Magazine

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World Cinema Magazine

  • Sightlines
  • Long Shots
  • Repérage
  • Dialogues
  • Mapa Mundi
  • English
    • Português
    • English
    • Español
    • Français

Long Shots

Madagascar and Screen Tourism: The Challenge of Attracting Global Attention

Madagascar and Screen Tourism: The Challenge of Attracting Global Attention

When the Malagasy delegation led by Minister of Communication and Culture Gascar Fenosoa attended the Marché du Film at the…

Why Central Asian Cinema is Still Struggling to Find its own Identity

Why Central Asian Cinema is Still Struggling to Find its own Identity

“To be ignorant of what happened before you were bornis to remain forever a child.” — Marcus Tullius Cicero Head…

What Do We See when We look at Sky? – Concentric Circles. Hello, Language!

What Do We See when We look at Sky? – Concentric Circles. Hello, Language!

By Way of prelude After more than thirty years of existence, Traffic ceased publication in 2022 with its 120th winter…

Asghar Farhadi: Advice to Young Directors-to-Be

Asghar Farhadi: Advice to Young Directors-to-Be

FEST — New Directors | New Films, in Espinho, has made the right bet on workshops and masterclasses, with a…

Village, Exile and Absence: Notes from the Bishkek International Film Festival

Village, Exile and Absence: Notes from the Bishkek International Film Festival

The Bishkek International Film Festival, in Kyrgyzstan, with only four editions behind it, has established itself as one of the…

Is there such a thing as a newest Portuguese Cinema?

Is there such a thing as a newest Portuguese Cinema?

A look at three Portuguese debut features premiering at IndieLisboa, in search of identities, points of entry, and lines of escape.

Rear Window Seen Through Edmund Husserl’s Phenomenology

Rear Window Seen Through Edmund Husserl’s Phenomenology

John Donne famously wrote that ‘No man is an island entire of itself,’ describing how every individual is involved in…

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